Suspected race hate vandals smash up black artist’s exhibition and tribute to the Windrush generation

Damaged walkway at the Windrush exhibition where vandals smashed the glass pic credit: Evewright

The Afro Caribbean people who came to the UK in the 1940s to the 1970s-known as the Windrush generation after the first ship MV Empire Windrush that brought them from Jamaica, Trinidad and other West Indies islands- have suffered a lot in the last few years at the hands of successive Tory governments.

They were victims of the ” hostile environment” policy to immigrants set up by home secretary Theresa May in 2012 and continued to this day by Priti Patel ( herself from a family of Ugandan Asian refugees) they wrongly faced deportation, loss of jobs and homes after living in this country for more than 50 years because they were never issued with documents. Many were wrongly deported.

So it was rather good that an inventive Afro-Caribbean artist Everton Wright (Evewright) decided to launch an amazing art and sound installation as a tribute to that generation. He also based the exhibition at the port of Tilbury in Essex – the very place where MV Empire Windrush docked in 1948 and used the original walkway – still there – where what are known as the elders of Windrush made landfall in the United Kingdom.

 It is an immersive visual art experience, installed on 432 panes of glass collaged with photographs, documents, original boat passenger tickets and memorabilia. The artwork is installed in an original passenger walkway 55 metres long. As you walk through, you can listen to audio stories about the lives of some of the elders whose images are featured in the installation.  See http://www.evewrightarts.org

Sadly vandals this month broke into the exhibition and smashed many of the exhibits and damaged the walkway where it has held. This is some of the damage:

A damaged exhibit Pic credit: Evewright
Windrush exhibition: Another Exhibit smashed. pic credit; Evewright

The artist himself is keeping the exhibition open leaving the damage for all those to see.

Artist Evewright at the exhibition. Pic credit: John Ferguson Photography

Everton Wright said: “This artwork is made as a celebration of the lives and endeavours of Caribbean elders, from the Windrush Generation. It has been created through the need to preserve their stories and first-hand accounts so future generations can understand the importance of the contributions they made to Britain. This work has received an overwhelming positive response from the public and those who contributed their stories and images. The feedback from the public is heartfelt knowing these stories where being told. Yet there are a few who choose to damage this beautiful work. 
” This is a targeted hate crime targeted towards the Windrush Generation. Who themselves had to show resilience in the face of the racism and barriers many of them experienced. I intend to keep the damage windows in place on the installation as a visible reminder of the hate and bigotry towards those that are seen as “other and foreigner” that still unfortunately still exists in our society today.

Essex Police have launched a criminal investigation: “

Another example of the damage. Pic Credit: Evewright

Essex Police has urged anyone with information to contact them and said it would “not stand by while people commit crimes in our communities”.

Supt Naomi Edwards, of the force, said: “Myself and colleagues at Essex Police were extremely saddened to hear that such a culturally and historically significant art exhibition has been subject to damage – this is unacceptable on every level.”These offences had not been reported to Essex Police, rather they had been reported to our colleagues at the Port of London Authority Police.

 “However, such is our concern at these incidents, that we are working alongside our policing colleagues to support their investigation and are undertaking enquiries to establish who may be responsible in order that we can arrest them and bring them to justice.”

So far nobody has been arrested but the organisation say the police are treating it as a hate crime.

Contrast this coverage with the toppling of the Edward Colston statute

I cannot but contrast the coverage of this event in the media with the national coverage given to the toppling of the statute of Edward Colston, the Bristol slave trader, in a Black Lives Matter demonstration. This was given saturation coverage in the nationals and on TV and was linked to the debate on ” woke” and ” culture wars”.

This incident was only covered on local BBC TV, The Voice and as far as I can see, the Independent. I don’t need to make any further comment.

Amazing new digital exhibition celebrating how migrants around the world came to the aid of the NHS

Author and Poet Michael Rosen, recently recovered from Covid-19, narrates this short video on the exhibition

Migration Museum reveals the huge contribution of people overseas who came to the UK to work in the NHS

The NHS has been in people’s minds ever since the Covid-19 pandemic began and will continue to be so if there is a second wave of the virus.

During the worst part of the pandemic people came out in their thousands to clap and cheer the nurses, doctors, paramedics, care workers and ambulance drivers who work long hours in difficult circumstances to try and save people’s lives.

The Heart of the Nation exhibition puts a human face on the thousands of people who come to work and settle in the UK and take jobs in the National Health Service. People often say without them the NHS could not function and this exhibition rather proves the point.

It is not a sentimental account of the role of migrants helping the NHS to provide services for the last 72 years. It is a hard hitting. Some of it is “in your face”. It doesn’t pull punches about what it is like to be an immigrant in the UK.

A picture from the past: Nurses accommodation for new arrivals

It illustrates how migrants have over the years faced racial prejudice, hostility from landlords and even includes a racist cartoon in the national press. that would never be published now. It highlights migrants who found the traditional British diet tasteless and too heavy in carbohydrates which nowadays would be no problem with such a modern diverse range of cuisine in the UK. It includes some very tragic stories – including migrants who died in the Covid-19 outbreak while working in hospitals valiantly trying to save the lives of dying patients.

And it goes behind the scenes in the NHS to show the large number who work as porters and in the labs and stores.

But it is also a celebration – including a Spotify playlist of the music the migrants chose – and tales of young nurses dressed up to the hilt dancing all night to reggae and R & B only to shower and rush back to work at 7.0 am. And one of them was a founder member of a Notting Hill Carnival band designing the first colourful costumes that are a trade mark of that event.

As Allyson Williams said: “Carnival means so much to me. It has always been a celebration of our freedom and emancipation and acknowledgement of our ancestors. Here in London it’s all about family, community and inclusivity. “

“A story that needs to be told “

Aditi Anand, head of creative content at the Migration Museum and curator of the exhibition, said:

“Heart of the Nation highlights the vital role that migrants have always played in the NHS and the extent to which, just like the NHS, migration is central to the very fabric of who we are in Britain – as individuals, as communities and as a nation. Now more than ever, this is a story that needs to be told.”

You can download the digital exhibition here. As a Friend of the Migration Museum myself I am a supporter. But I think you will not be disappointed. It is an eye opener and reminder in times when populist nationalism is on the rise that Britain is also a very diverse and international country and all the better for it.

Why all the UK should see this brilliant exhibition on the Calais Jungle

CROSS POSTED ON BYLINE.COM

Until June 22 there is an extraordinary exhibition of art, sculpture,photographs, documents, multi media  and sound on the Calais jungle migrant camp.. It is at the London Newcastle Arts Project Space in Shoreditch,London.

Wanderers 1

An amazing sculpture at the entrance to the exhibition. It looks like a mass of people but each of them is an individual. A fitting symbol for the exhibition.

© Nikolaj Bendix Skyum Larsen

The exhibition tells the story of the huge migration from the Middle East, Afghanistan, and North Africa to Calais and the people involved.It is probably the biggest issue in the whole of Europe today.

It is both a harrowing and uplifting showing the strength of the human spirit in the face of extreme adversity. There are evil people, neo Fascists,nasty people smugglers, and thugs who exploit and deride them  but there are also many ,many caring human beings who are prepared to help them on their way to a better, safer life.

What is extraordinary about this exhibition is that much of the art comes from the very people themselves as a way of expressing their own plight. And the squalid Jungle is  a place where people play music, dance, paint,cook,and create as well try to survive.

Call me by my name 9 hi res

These are the tents they livedin. Picture

© brandingbygarden.

 

Everyone who has any humanity should see this exhibition – especially the people who denigrate them as hordes or swarms of people. They are people like them. It is antidote to the crass debate on Brexit.

And denying them a safe haven is also denying our country the benefit of their enormous talents – many are highly educated and many have discovered new talents on the way. Worse the plight of unaccompanied children aged from 8 to 14 or 15 is something this country cannot ignore – and thanks to the efforts of Alf Dubs ( Lord Dubs) who pushed Theresa May, the home secretary, to allow them to come in – there is some hope  for a few now. But there needs to be more.

Call me by my name 11

These lifejackets were taken from the beach in Greece. Believe it or not the smugglers gave them fake lifejackets, they don’t float.

© brandingbygarden.

 

At a very moving reception where the organisers- through the Migration Museum Project – was attended by asylum seekers – and some who had managed to be smuggled into Britain. They mingled with students, artists and campaigners looking at the exhibits.

Museums and art centres in Britain you should thinking of staging this exhibition so the people  across the United Kingdom can see the whole story. How about some of you rising to the challenge.

Call me by my name 3 med res (1)

The sculpture as you enter the exhibition. © brandingbygarden.